Kind of Blue Wikipedia. Kind of Blue is a studio album by American jazz trumpeter Miles Davis. It is regarded by many critics as jazzs greatest record, Daviss masterpiece, and one of the best albums of all time. Its influence on music, including jazz, rock, and classical genres, has led writers to also deem it one of the most influential albums ever recorded. The album was one of fifty recordings chosen in 2. Library of Congress to be added to the National Recording Registry, and in 2. Rolling Stone magazines list of the 5. Kind of Blue was recorded on March 2 and April 2. Can Wifi Go Through Concrete. Columbias 3. 0th Street Studio in New York City, and released later that year on August 1. Columbia Records. The Artistry Of Bill Evans Volume 2 Pdf' title='The Artistry Of Bill Evans Volume 2 Pdf' />VERDE MAGAZINE WANT TO ADVERTISE WITH VERDE visit verde magazine. April 2017 Volume 18 Issue 4. EditorsinChief Danielle Macuil Tara. FOR SALE Books The Land of Make Believe by Fred Barton 5. Magic and Showmanship by Henning Nelms 4. Selling to Win by Richard Denny 3. The album featured Daviss ensemble sextet, consisting of pianist Bill Evans, drummer Jimmy Cobb, bassist Paul Chambers, and saxophonists John Coltrane and Julian Cannonball Adderley, together with pianist Wynton Kelly on one track. After the entry of Evans into the sextet, Davis followed up on the modal experimentations of Milestones 1. Kind of Blue entirely on modality, in contrast to his earlier work with the hard bop style of jazz. Though precise figures have been disputed, Kind of Blue has been described by many music writers not only as Daviss best selling album, but as the best selling jazz record of all time. On October 7, 2. 00. Recording Industry Association of America RIAA certified it quadruple platinum, indicating sales of at least four million copies. BackgroundeditBy late 1. Davis employed one of the most acclaimed and profitable working bands pursuing the hard bop style. His personnel had become stable alto saxophonist Cannonball Adderley, tenor saxophonist John Coltrane, pianist Bill Evans, long serving bassist Paul Chambers, and drummer Jimmy Cobb. With the Beatles il secondo album del gruppo musicale britannico The Beatles, pubblicato il 22 novembre 1963 dalla Parlophone e prodotto da George Martin negli U. Quarrydale Utd Rangers U16s division 2 Sunday 201718 Saturday Participating in Notts Youth Football League are looking for players to strengthen their squad. The Artistry Of Bill Evans Volume 2 Pdf' title='The Artistry Of Bill Evans Volume 2 Pdf' />His band played a mixture of pop standards and bebop originals by Charlie Parker, Thelonious Monk, Dizzy Gillespie, and Tadd Dameron. As with all bebop based jazz, Daviss groups improvised on the chord changes of a given song. Davis was one of many jazz musicians growing dissatisfied with bebop, and saw its increasingly complex chord changes as hindering creativity. In 1. George Russell published his Lydian Chromatic Concept of Tonal Organization,3 which offered an alternative to the practice of improvisation based on chords and chord changes. Abandoning the traditional major and minor key relationships, the Lydian Chromatic Concept introduced the idea of chordscale unity and was the first theory to explore the vertical relationship between chords and scales, as well as the only original theory to come from jazz. This approach led the way to modal in jazz. Influenced by Russells ideas, Davis implemented his first modal composition with the title track of his studio album Milestones 1. Serial Key Toad 12'>Serial Key Toad 12. Professional Ajax Rapidshare. Satisfied with the results, Davis prepared an entire album based on modality. Pianist Bill Evans, who had studied with Russell but recently departed from Daviss sextet to pursue his own career, was drafted back into the new recording project, the sessions that would become Kind of Blue. RecordingeditKind of Blue was recorded on three track tape in two sessions at Columbia Records 3. Street Studio in New York City. On March 2, 1. 95. So What, Freddie Freeloader, and Blue in Green were recorded for side one of the original LP, and on April 2. All Blues and Flamenco Sketches were recorded, making up side two. Production was handled by Teo Macero, who had produced Daviss previous two LPs, and Irving Townsend. As was Daviss penchant, he called for almost no rehearsal and the musicians had little idea what they were to record. As described in the original liner notes by pianist Bill Evans, Davis had only given the band sketches of scales and melody lines on which to improvise. Once the musicians were assembled, Davis gave brief instructions for each piece and then set to taping the sextet in studio. While the results were impressive with so little preparation, the persistent legend that the entire album was recorded in one pass is untrue. Only Flamenco Sketches yielded a complete take on the first try. That take, not the master, was issued in 1. The five master takes issued, however, were the only other complete takes an insert for the ending to Freddie Freeloader was recorded, but was not used for release or on the issues of Kind of Blue prior to the 1. Pianist Wynton Kelly may not have been happy to see the man he replaced, Bill Evans, back in his old seat. Perhaps to assuage the pianists feelings, Davis had Kelly play instead of Evans on the albums most blues oriented number, Freddie Freeloader. The live album Miles Davis at Newport 1. However, the Newport Jazz Festival recording on July 3, 1. Bill Evans only six weeks into his brief tenure in the Davis band notwithstanding, rather than the modal approach of Kind of Blue. CompositioneditKind of Blue is based entirely on modality, in contrast to Daviss earlier work with the hard bop style of jazz and its complex chord progression and improvisation. The entire album was composed as a series of modal sketches, in which each performer was given a set of scales that defined the parameters of their improvisation and style. This style was in contrast to more typical means of composing, such as providing musicians with a complete score or, as was more common for improvisational jazz, providing the musicians with a chord progression or series of harmonies. Modal jazz of this type was not unique to this album. Davis himself had previously used the same method on his 1. Milestones album, the 5. Sessions, and Porgy and Bess 1. Gil Evanss third stream compositions. Also, the original concept and method had been developed in 1. George Russell. Davis saw Russells methods of composition as a means of getting away from the dense chord laden compositions of his time, which Davis had labeled thick. Modal composition, with its reliance on scales and modes, represented, as Davis called it,2 a return to melody. In a 1. 95. 8 interview with Nat Hentoff of The Jazz Review, Davis elaborated on this form of composition in contrast to the chord progression predominant in bebop, stating No chords. When you go this way, you can go on forever. You dont have to worry about changes and you can do more with the melody line. It becomes a challenge to see how melodically innovative you can be. When youre based on chords, you know at the end of 3. I think a movement in jazz is beginning away from the conventional string of chords. As noted by Bill Evans in the LP liner notes, Miles conceived these settings only hours before the recording dates. Evans continued with an introduction concerning the modes used in each composition on the album. So What consists of two modes sixteen measures of the first, followed by eight measures of the second, and then eight again of the first. Freddie Freeloader is a standard twelve bar blues form. Blue in Green consists of a ten measure cycle following a short four measure introduction. All Blues is a twelve bar blues form in 68 time. Flamenco Sketches consists of five scales, which are each played as long as the soloist wishes until he has completed the series. Liner notes list Davis as writer of all compositions, but many scholars and fans believe that Bill Evans wrote part or the whole of Blue in Green and Flamenco Sketches.